PUBLICATIONS

/ Orgs, G., & Cross, E. (2023). Dancing robots: Social interactions are performed, not depicted. Behavioral and Brain Sciences, 46, E40. doi:10.1017/S0140525X2200156X

/ Cracco, E., Linthout, T., & Orgs, G. (2023). The role of objecthood and animacy in apparent movement processing. Social Cognitive and Affective Neuroscience, 18(1), nsad014.

/ Millman, L. M., Hunter, E. C., Terhune, D. B., & Orgs, G. (2023). Online structured dance/movement therapy reduces bodily detachment in depersonalization-derealization disorder. Complementary Therapies in Clinical Practice, 51, 101749.

/ Sun, Y., Greaves, D. A., Orgs, G., de C. Hamilton, A. F., Day, S., & Ward, J. A. (2023). Using Wearable Sensors to Measure Interpersonal Synchrony in Actors and Audience Members During a Live Theatre Performance. Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies, 7(1), 1-29.

/ Rose, D., Müllensiefen, D., Lovatt, P., & Orgs, G. (2022). The Goldsmiths Dance Sophistication Index (Gold-DSI): A psychometric tool to assess individual differences in dance experience. Psychology of Aesthetics, Creativity, and the Arts, 16(4), 733.

/ Lee, H. & Orgs, G. (2022). ‘Experiencing art in social settings’ in Nadal, M. & Skov, M. (ed.) The Routledge International Handbook of Neuroaesthetics

/ Millman, L. S. M., Richardson, D. & Orgs, G. (2022). ‘Continuous and collective measures of real-time audience engagement’ in M. Reason, L. Conner, K. Johnson, B. Walmsley (ed.) Companion to Audiences and the Performing Arts. United Kingdom: Routledge.

TALKS & PRESENTATIONS

/ Orgs, G. (2023). Neural measures of real-time audience engagement using mobile EEG hyperscanning. Invited talk as part of a symposium on Neuroaesthetics. Annual Meeting of the British Association for Cognitive Neuroscience, September 12th – 13th, Cardiff, UK.

/ Ward, J.A. (2023). Invited talk at Interdisciplinary Perspectives on Technologies for Mingling, TU-Delft, Netherlands.

/ Orgs, G. & Sperling, M. (2022). Inhabiting Interdisciplinary: The Neurolive Project. Invited presentation and panel discussion at the Museum of Applied Arts, Frankfurt, Germany, December 11th.

/ Orgs, G., Chamberlain, R. (2022) Aesthetics in the Wild: New measures of performing and experiencing art in real-world settings. Invited Symposium and talk at the meeting of the International Association for Empirical Aesthetics in University of Pennsylvania, Philadelphia, USA, August 31st – September 2nd.

/ Orgs, G. (2022). The neurocognition of liveness. Talk at the Visual Science of Art Conference, Amsterdam, the Netherlands, August 24th -27th.

/ Orgs, G. (2022). The Neurocognition of Liveness. Invited sympoium and talk at the International workshop on the neural and social basis of creative movement, Vienna, VA, USA, April 7th-12th. https://yourbrainanddance.egr.uh.edu/

/ Orgs, G., Burrows, J., Cvejic, B. (2022). Choreography and the ‘felt sense of making’: A Conversation with Jonathan Burrows, Guido Orgs, Rosalind Golderg and Bojana Cvejić. Invited speaker at the artistic research week, Oslo National Academy of the Arts, Oslo, Norway, January 26th. https://artisticresearchweek.khio.no/project/bojana-cvejic-almost-feeling-it-presentation-and-conversation-department-of-dance/

/ Ward, J.A. (2022). Keynote talk at the Third International Workshop on Earable Computing (UbiComp) workshop, Cambridge, UK.

/ Ward, J.A. (2022). Keynote talk at Intelligent Music Interfaces (CHI) workshop, New Orleans (online).

/ Ward, J.A. (2022). Invited talk at the Dagstuhl Seminar (22491) on Cognitive Augmentation, Schloss-Dagstuhl, Germany.

/ Ward, J.A. (2022). ‘The world is the lab - opportunities and challenges of real-world data collection in social cognition.’ Invited talk at the European Society for Cognitive & Affective Neuroscience meeting (ESCAN), Vienna, Austria.

/ Rai, L. A. (2022). ‘Shared brain activity in large groups while watching live dance: A mobile-EEG Hyperscanning study’. Guest talk at the Centre of Functionally Integrative Neuroscience & Centre for Music in the Brain, Aarhus University, Denmark.

/ Rai, L. A. (2022). 'Shared brain activity in large groups while watching live dance: A mobile-EEG hyperscanning study'. Oral presentation as part of the symposium 'Advancements in Dance Neuroaesthetics', at the European Society for Cognitive & Affective Neuroscience meeting (ESCAN), Vienna, Austria.

/ Rai, L. A. (2022). 'Shared brain activity in large groups while watching live dance: A mobile-EEG hyperscanning study'. Oral presentation as part of the symposium 'Aesthetics in the Wild: New measures of performing & experiencing art in real-world settings', XXVII Congress of the International Association of Empirical Aesthetics, Penn Center for Neuroaesthetics, UPeNN.

/ Lee, H. (2022). ‘Social Neuroaesthetics: Investigating the live, in-situ and social accounts for real-life aesthetic experience with interbrain synchrony,’ Oral presentation at Inidividual Talk Session ‘Aesthetics and the Self’, XXVII Congress of the International Association of Empirical Aesthetics, Penn Center for Neuroaesthetics, UPeNN.

/ Orgs, G., (2021). The Neurocognition of Liveness. Invited Talk and Guest Lecture at the Gerrit Rietveld Academy, Amsterdam and Utrecht University the Netherlands, 14th and 17th December. https://projectspaces.rietveldacademie.nl/fl-101/the-neurocognition-of-liveness.

COLLABORATIONS

/ Peng, F. and Griffiths, S.J. (2022). MOVING PHOTON, directed by FRIENDRED, 5th-9th January 2022, Ugly Duck, London, UK
https://friendred.studio/2022/08/28/moving-photon/

/ Stamm., J. C., Morris, C., Carvahlo, D., Disse, A. (2023). NOT TODAY, created by Dajci* Collective and Videovalve, funded by Goethe Institute, 26th May 2023, London, UK
https://www.eventbrite.com/e/not-today-tickets-638341385267

/ Ito, N. (2023). BOILING MIND 3.0, created by KEIO MEDIA DESIGN, Mademoiselle Cinema, 1st-2nd April 2023, SESSION HOUSE, Tokyo, Japan
https://www.mademoisellecinema.net/boilingmind3.0_e.html